What makes us re-visit our favourite films?

 Fan of the movies or not, most of us can name a couple of films that we have watched many times and know that we will keep going back to them. Watching a new film asks for too much of  our attention to the images, the actors, the music and how all of it weaves in together. More often than not, I walk out of the theatre not knowing what exactly it was that made me so invested in the movie. What’s even more bizarre is that there have been times when I have had no particular fondness for a movie until it suddenly hits me after a couple of days how much the movie and its scenes have stayed with me. This happened with The Lunchbox. I watched the movie while on a break from rooted cinema and after months of watching junk cinema and series. I remember being restless throughout. After a couple of days, while stuck in mundane routine, I realised how I couldn’t stop getting flashes of the way Bombay was presented and then it dawned on me how beautifully the movie romanticised the boring and mundane. I keep going back to The Lunchbox every now and then. So what is it that makes us go back to our favourites? Is it always one thing, a genre, an actor, a director?

If you’re a particularly attentive movie viewer, it’s just easy on the brain to keep going back to what you already love. As much as you want to be blown away by new techniques of storytelling, a part of your mind wants to just enjoy the experience without nit picking, but that almost never happens. Inevitably, I find myself obsessing over what made me like the film and am drawn to articles, notions and opinions on the movie. What we re-watch is like our comfort food, we know we’ll be left satisfied the way we want to be and it’s still entertaining.

Many times, I have found myself longing to watch a film again because there’s that one scene that randomly started replaying in my head earlier that day. These are sometimes the most crucial scenes that the movie was building up to and sometimes just a moment that passes by. I have watched Masaan multiple times and most of the times it is to build up my emotions till Deepak’s break down scene and I have watched Piku for the smaller moments between the characters.

To further break it down, we feel like watching certain scenes because of the emotions that they infuse in us. Here’s the thing. Cinema is really images and sounds strung together. The movie as a whole provides you with an emotional closure and individual scenes viewed in isolation can not make you feel for them as strongly as the whole movie. This is what prevents me from fast-forwarding any movie. But I get it, re-watching just your favourite scenes is a short cut to reaching where you intended to, emotionally.

Actors are like the surface of a huge iceberg. What the actors do with their parts is mostly the first and sometimes even the only thing that stays with us. As viewers, most of us do not know enough about cinema to understand what goes on beneath the surface but a performance is something anyone can have an opinion about. Some like actors that disappear into their parts without a trace and some like the ones who bring their personal charm to every role. Hindi cinema thrives on creating aspirational characters and that makes so many of us watch and re-watch the movies of our stars.

I keep going back to Carol and I know that every time it has been to go back to Rooney Mara’s wonderfully delicate performance. Apart from being a fan of many different things about that movie, Rooney’s performance is singularly my favourite thing about it. There are however, also instances when an actor’s performance has had a profound impact on me despite not liking the movie. I have lost count now, of the number of times I have seen American Hustle. Not once was I able to feel strongly for the movie but each time I have found myself more in awe of Amy Adams’ performance. I keep revisiting it to catch her expressions in every possible long and close-up shot.

Like many other wonderful actors, Amy Adams tends to disappear into the part she plays, allowing us to be engrossed in her character’s story rather than her stardom. Yet, I go back to only some of her movies despite liking her work in almost anything that I have seen from her filmography. If we are so in awe of our actors and stars then why don’t we keep revisiting all their work? It’s because of the way cinema works. Audience may not fully understand what went into the staging of a scene but all those elements add to the tone of the scene or the movie and together attempt to leave us with strong emotions.

The distance of the lens from an actor, what the actors do, how the camera moves or stays, the background and staging, the colours that come alive, the faint or the loud music that kicks in and a million other such things come together to make us feel a certain way. Once our minds and hearts buy into the emotions that a scene or the movie is trying to convey, we will want to watch the film again. We will want to chase that feeling that the movie left us with the first time. Sometimes, only to realise that we have grown out if it and a lot of the times  we are left amazed at how we keep finding the emotions that we were chasing every time we revisit the film. Sometimes even discover other layers to it and after that it’s all about solving the mystery of how it was done!

What makes us re-visit our favourite films?


I remember watching the trailer of Piku the day it was out and almost instantly decided to catch it on the first day of its release. It was mainly because Mr. Bachchan’s character seemed hilarious, Deepika looked stunning as usual, there was Irrfan, the director had made Vicky Donor and the trailer sent out a very fresh vibe. I had a few friends asking me if I was sure I wanted to watch a movie which would be about shit! I dragged them along with me to the theater and even I had no idea what I was about to experience for the next two hours.

As of today, I have watched Piku over five times and I know I’ll watch it a number of times in the coming years. I still can not get over the simplicity of this movie. The film doesn’t have a start or an end to a story, rather it presents to us life, as it is, and regular discussions. Sure there have been movies like Before Sunrise and its sequels that are largely based on conversation between the protagonists, but Piku is still different. This film is not about profound and romantic conversations but rather about the mundane discussions and still manages to be hilarious and witty!


The Dialogues:

The dialogues flow out effortlessly throughout the film. The language is simple and the humour never goes over the top. To mention a few crispy dialogues, there is a scene where Piku tells Bhashkor “Din me ek baar potty nahi hua toh you don’t have to do taandav.” and another one where Rana yells at  Bhashkor “Kuch baatien kaan ke andar nahi padegi toh pralay thodi aajayegi.”  These had me in splits.

The  Relationships:

The film portrays the father-daughter relationship so beautifully, be it the arguments or the love and concern, that it almost captured the essence of the bond I share with my dad. The Piku-Rana relation is a realistic depiction of how people flirt as they start getting to know each other. There isn’t a touch yet the chemistry is infectious. It is wonderful how Deepika and Irrfan manage to build it up just by expressions. The party at Champa Kunj(the Kolkata home) when they barely manage to keep their eyes off of each other is amongst my favourite scenes in the movie.


I love the way the hints are dropped here and there about the relation between different characters, like about how Piku and Syed are more than just friends or how Chhobi mashi and kaaki don’t get along well.

The Performances:

Amitabh Bachchan’s performance is nothing short of perfection. His comic timing is spot-on and so is his accent as a Bengali. Irrfan Khan is effortless as always. He is not so much acting as he is being the character. Deepika doesn’t go out of rhythm even for a second . Her performance is my favourite in the film. Her eyes express anger, arrogance, concern and attraction as and when required. I just loved the scene when Deepika sits on Bhashkor’s bed and quietly weeps. No melodrama here. Moushumi Chatterjee is hilarious as Chhobi mashi and I also enjoyed the performance of actors portraying Budhan and Nabendu.

The Music:

As the opening credits  roll out, a soft Sarod score is played and the film had every bit of my attention since then. This score is used often in the background and also at the very end and its just beautiful. The background music also consists of a classical song during  the Banaras sequence and two joyous Bengali songs all of which add to the mood of the scene. The album consists of fresh tracks and what is even more amazing is how they blend with the scenes. Bezubaan is my personal favourite and I also love Shreya Ghoshal’s work in The Journey Song.  I hope Anupam Roy composes more for Hindi films in the future.

All in All:


Piku is a film that has urban Indian culture at its heart. It gives out a warm message without being too preachy. It reminded me of  Hrishikesh Mukherjee films that were based on simple and realistic characters and story. Its gonna take me a while to get over this one.

Picture Credits: https://twitter.com/PikuTheFilm/media